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我沒有談的那場戀愛 完整版本 ►【2021】◄ 在线观看和下载完整电影

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我沒有談的那場戀愛 完整版本 ►【2021】◄ || 在线观看和下载完整电
影
我沒有談的那場戀愛 完整版本 [ I Missed You] 完整版本觀看電影在線小鴨 (2021-HD)完整的
電影
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发布日期: 2021-02-10
运行时间: 0 分钟
类型: 爱情
明星: Kang Ren Wu, Eve Ai, Fu Meng Bo, 9m88, Lin Mei-shiu
导演: Mag Hsu, Mag Hsu, Mag Hsu, Hsi-Ming Chang, Shih Yi Chu
TAGS:
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In 1889, on November 1 in Gotha, Germany Anna Therese Johanne Hoch, who later would
be known as Hannah Hoch was born. Being the eldest of five children, the girl was brought
up in a comfortable and quiet environment of the small town. Her parents, a supervisor in an
insurance company and an amateur painter sent her to Girl’s High school. However, at the
age of 15 Hannah had to quit studying for the long six years to take care of her newborn
sister. Only in 1912 she continued her education with Harold Bengen in School of Applied
Arts, mastering glass design. As the World War I broke up Hannah returned to the native
town to work in the Red Cross.
The first years after war the young woman recommenced her studying, getting to know
graphic arts. 1915 was highlighted by an acquaintance with an Austrian artist Raoul
Hausmann, which grew into the long-lasting romantic relationship and involvement in Berlin
Dada movement. For ten years till 1926 Hoch worked in Berlin’s major publisher of
newspapers and magazines. Her task was to design embroidering, knitting and crocheting
patterns for the booklets.
Being on vacation with her beloved in 1918, Hannah discovered ‘the principle of
photomontage in cut-and-paste images that soldiers sent to their families’ (National gallery of
Art). This find affected greatly on her artistic production, and she created mass-media
photographs comprising the elements of photomontage and handwork patterns, thus
combining traditional and modern culture. Her prior preoccupation was to represent the ‘new
woman’ of the Weimar Republic with new social role and given freedoms.
Hoch was the only woman in Berlin Dada, who took part in all kinds of events and exhibitions
showcasing her socially critical works of art. Till 1931 she participated in exhibitions but with
the rise of National Social regime was forbidden to present her creative work. Till her last
breath in 1978 Hannah Hoch lived and worked in the outskirts of Berlin-Heiligensee.
The piece of art which is going to be analyzed in this research is ‘The beautiful girl’ designed
in 1919–1920. It combines the elements of technology and females. In the middle of the
picture one can clearly see a woman dressed in a modern bathing suit with a light bulb on
her head which probably serves as a sun umbrella. In the background a large advertisement
with a woman’s hair-do on top is presented. Maud Lavin describes strange human as ‘she is
part human, part machine, part commodity’ (Lavin). The woman is surrounded by the images
of industrialization as tires, gears, signals and BMW logos. A woman’s profile with the cat
eyes, untrusting and skeptical, in the upper right corner is eye-catching as well. This
unusually large eye symbolizes DADA movement — a monocle, which is present in almost
every Hoch’s work. The colour scheme does not offer rich palette of tints, including mostly
black, white, orange and red pieces. The photo is surrounded by the BMW circles which add
the spots of blue.
An apt description of the piece is given in the book ‘Cut with the Kitchen Knife’ and states
that it is ‘a portrait of a modern woman defined by signs of femininity, technology, media and
advertising’ (Lavin). In other words Hannah Hoch focused on the woman of the new age,
free and keeping up with the fast-moving world. The artist promoted feministic ideas and
from her point of view urbanization and modern technologies were meant to give hope to
woman to gain equality of genders. With this photomontage she commented on how the
woman was expected to combine the role of a wife and mother with the role of a worker in
the industrialized world. The light bulb instead of a face shows that women were perceived
as unthinking machines which do not question their position and can be turned on or off at
any time at man’s will. But at the same time they were to remain attractive to satisfy men’s
needs. The watch is viewed as the representation of how quickly women are to adapt to the
changes.
In a nutshell, Hoch concentrated on two opposite visions of the modern woman: the one
from the television screens — smoking, working, wearing sexy clothes, voting and the real
one who remained being a housewife.
The beautiful girl’ is an example of the art within the DADA movement. An artistic and literal
current began in 1916 as the reaction to World War I and spread throughout Northern
America and Europe. Every single convention was challenged and bourgeois society was
scandalized. The Dadaists stated that over-valuing conformity, classism and nationalism
among modern cultures led to horrors of the World War I. In other words, they rejected logic
and reason and turned to irrationality, chaos and nonsense. The first DADA international Fair
was organized in Berlin in 1920 exposing a shocking discontentment with military and
German nationalism (Dada. A five minute history).
Hannah Hoch was introduced to the world of DADA by Raoul Hausman who together with
Kurt Schwitters, Piet Mondrian and Hans Richter was one of the influential artists in the
movement. Hoch became the only German woman who referred to DADA. She managed to
follow the general Dadaist aesthetic, but at the same time she surely and steadily
incorporated a feminist philosophy. Her aim was to submit female equality within the canvass
of other DADA’s conceptions.
Though Hannah Hoch officially was a member of the movement, she never became the true
one, because men saw her only as ‘a charming and gifted amateur artist’ (Lavin). Hans
Richter, an unofficial spokesperson shared his opinion about the only woman in their
community in the following words: ‘the girl who produced sandwiches, beer and coffee on a
limited budget’ forgetting that she was among the few members with stable income.
In spite of the gender oppressions, Hannah’s desire to convey her idea was never
weakened. Difficulties only strengthened her and made her an outstanding artist. A note with
these return words was found among her possessions: ‘None of these men were satisfied
with just an ordinary woman. But neither were they included to abandon the (conventional)
male/masculine morality toward the woman. Enlightened by Freud, in protest against the
older generation. . . they all desired this ‘New Woman’ and her groundbreaking will to
freedom. But — they more or less brutally rejected the notion that they, too, had to adopt
new attitudes. . . This led to these truly Strinbergian dramas that typified the private lives of
these men’ (Maloney).
Hoch’s technique was characterized by fusing male and female parts of the body or bodies
of females from different epochs — a ‘traditional’ woman and ‘modern’, liberated and free of
sexual stereotypes one. What’s more, combining male and female parts, the female ones
were always more distinctive and vibrant, while the male ones took their place in the
background. Hannah created unique works of art experimenting with paintings, collages,
graphic and photography. Her women were made from bits and pieces from dolls,
mannequins of brides or children as these members of the society were not considered as
valuable.
Today Hannah Hoch is most associated with her famous photomontage ‘Cut with the kitchen
knife DADA through the last Weimer Beer-Belly Cultural epoch of Germany’ (1919–1920).
This piece of art highlights social confusion during the era of Weimar Republic,
oppositionists and government radicals (Grabner). In spite of never being truly accepted by
the rest of her society, this woman with a quiet voice managed to speak out loud her
feministic message.
Looking at Hannah Hoch’s art for the first time I found it confusing, because couldn’t
comprehend the meaning. It was quite obvious that every single piece and structure is a
symbol of the era, its ideas and beliefs. However, after having learned about her life and
constant endeavors to declare about female’s right, little by little I started to realize what’s
what. As an object for research I chose ‘The beautiful girl’ as, to my mind, its theme and
message intersects with the modern tendency: a successful, clever, beautiful and free
woman has to become one in no time, cause the world is moving faster and faster. I enjoyed
working with this artist as her example is inspiring and is worth following.
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